James L. Marshall
James L. Marshall’s practice examines how cinema has shaped technological advancement and aesthetics IRL (In real life). Hollywood has created a world in which we are close to mirroring and technology is mimicking science fiction; blurring of virtual and physical. Marshall works across media, including digital drawings and collages, video, large sculptural objects and site specific installations. Larger works position themselves between fine art object, functional prop and film set. Using reductive processes Marshall combines various semiotic codes to create artworks that are pared back and nod to modernism.
Marshall has exhibited throughout Australia, California, and in Sweden, as well as presenting his research at the Fourth Global Conference of Fear, Horror and Terror at Oxford University. James has initiated and facilitated various exhibitions and events focusing on the confluences between film and contemporary visual art as long term Co-Director of FELTspace, Adelaide and Assistant Director at RAID projects, Los Angeles.
During the wee hours, we’re all in this together, our spirits spooned like lovers’ bodies' | Walter Kirn, American novelist and literary critic.
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